Please use this identifier to cite or link to this item: http://repository.elizadeuniversity.edu.ng/jspui/handle/20.500.12398/1150
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dc.contributor.authorEmike, Acheoah John-
dc.contributor.authorAyodabo, Sunday Joseph-
dc.date.accessioned2021-06-21T09:25:50Z-
dc.date.available2021-06-21T09:25:50Z-
dc.date.issued2014-
dc.identifier.issn2347-5374-
dc.identifier.urihttp://repository.elizadeuniversity.edu.ng/jspui/handle/20.500.12398/1150-
dc.descriptionStaff Publicationen_US
dc.description.abstractThe study is a stylistic analysis of Ahmed Yerima‟s The Lottery Ticket. Like other contemporary Nigerian dramatists, Yerima is engaged in the quest for suitable forms with which the Nigerian experience can be transmitted through drama. We examine the stylistic features in the Play. We mainly hinge on the Communicative Model of stylistic theory for the analysis of four data selected via defined parameters. The analysis reveals that the Play is characterized by authorial use of diverse stylistic and rhetorical devices: cohesive devices, point of view, pidgin and figurative language. Thus, the structure of the play is functional. We rely on the Projection Principle to extend the stylistic features of the play to contemporary Nigerian dramaen_US
dc.language.isoenen_US
dc.publisherScholars Journal of Arts, Humanities and Social Sciencesen_US
dc.subjectContemporary Nigerian drama,en_US
dc.subjectstyle,en_US
dc.subjectstylistics,en_US
dc.subjectCommunicative Model of stylistic theory,en_US
dc.subjectProjection Principle,en_US
dc.subjectrhetoricen_US
dc.titleCommunicative Strategies in Contemporary Nigerian Drama: A Stylistic Analysis of Ahmed Yerima’s The Lottery Ticketen_US
dc.typeArticleen_US
Appears in Collections:Research Articles

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