Please use this identifier to cite or link to this item: http://repository.elizadeuniversity.edu.ng/jspui/handle/20.500.12398/932
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dc.contributor.authorAdedeji, Wale-
dc.date.accessioned2021-03-16T11:57:04Z-
dc.date.available2021-03-16T11:57:04Z-
dc.date.issued2017-
dc.identifier.issn2415-6248-
dc.identifier.urihttp://repository.elizadeuniversity.edu.ng/jspui/handle/20.500.12398/932-
dc.descriptionStaff Publicationen_US
dc.description.abstractIdentity is an integral part of human existence and as a cognitive phenomenon it is regarded as a basis for selfrealisation and actualisation. Popular culture is an important conduit through which identity can be formulated and expressed. Music on the other hand as an expressive art is a major appendage of popular culture and a fertile ground for identity negotiation and formulation, in this instance through language use. This paper investigates the music- Hip hop, the language- Yoruba and examines how the artiste- Ruggedman employs the use of the mother-tongue while exploiting the general acceptability of the Yoruba language to popularise hip hop music in Nigeria .The research argues that, through the artiste‟s Yoruba linguistic affiliation he is able to formulate a national identity with a language not his own in a country where there is an overt subscription to ethnic loyalty rather that national.en_US
dc.language.isoenen_US
dc.publisherScholars Middle East Publishersen_US
dc.subjectHip hop,en_US
dc.subjectpopular music and identity,en_US
dc.subjectNigeria,en_US
dc.subjectYoruba language,en_US
dc.subjectCode-switching.en_US
dc.subjectRuggedmanen_US
dc.titleNigerian Hip Hop and the Yoruba Influence: “Rugeddy Baba” and the Negotiation of National Identityen_US
dc.typeArticleen_US
Appears in Collections:Research Articles

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